The designer tried to take her on a visual journey that often required multiple changes, even within a single scene.
The character of Christine took the most work, since she is seen in her own clothes for only one short sequence (in the chapel scene) and wears theatrical costumes the rest of the time. Gemini Middle School Martin, Kathy Costume Design in The Phantom of the Opera Popular Links Gemini Middle School Success Without Boundaries Additional. “I wanted it to be light and buoyant, and it had to have movement,” says the designer. “There was a fast track in terms of dialogue” between them, she says.Īs a former theater costume designer, Byrne adapted to the project seamlessly, coming up with 300 original costumes for the principal characters and adding 2,000 more from stock for the theater patrons and masquerade performers within the story’s three operas and two ballets.īut her piece de resistance was the masquerade costume for Christine: a big pink dress in which she dances a fast waltz.
The phantom of the opera costume design movie#
Pictures, inspirations and ideas would go up on a “mood board” she used as a visual reference that was continually evolving as she exchanged ideas with Pratt and the director.īyrne, who also did costume design for “Finding Neverland,” found Schumacher, who began his movie career as a costume designer, very receptive to her ideas. It had to be stylized and exaggerated,” says Pratt, particularly the Phantom’s lair, a mysterious yet sumptuous cave dwelling deep in the theater’s sewer system.įor the theater’s auditorium and the lavish masquerade in the theater foyer, the film’s most elaborate sets, Pratt referred to paintings by Edgar Degas, who often painted the Paris Opera, as well as photos from 1800s Paris.Ĭostume designer Alexandra Byrne also immersed herself in the period, researching original costumes, referring to paintings and visiting Paris and the opera house to absorb that world. “One thing I thought from the beginning was nothing should be too real. Over 20 years, this show played to more than 100 million people in 21 countries. She was also the costume designer for the Sarasota Youth Opera and assistant.
The film’s elaborate sets were constructed in 14 weeks and shooting took place at London’s Pinewood Studios, with one exterior filmed in Windsor Great Park. Maria Bjrnson designed the glamorous costumes for The Phantom of the Opera. She has designed costumes for both the Asolo main stage and the FSU/Asolo. User fred05 uploaded this Christine Daa The Phantom Of The Opera Costume Designer Dress PNG PNG image on June 6, 2018, 1:36 pm. He went for designs that were voluptuous and sexy, adding a “slightly stuffy, Victorian claustrophobia of that sort of environment.” “I was very influenced by the strangeness of the original story, the idea of this girl who thinks her dead father’s calling to her,” Pratt says.
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